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One of my favorite covers of one of my all-time favorite songs, the Bad Rabbits' version of the Smashing Pumpkins' classic, "1979."

As always, best viewed full-screen and at full volume, of course, on YouTube where is was originally posted...

LPK
Dreamwidth
11.2.2017



"1979"

Aug. 7th, 2017 03:06 am
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Woke up at 3 AM with the words and music of Billy Corgan's "1979" playing in my head. Not sure what the venue is, but there's a YouTube clip of a Smashing Pumpkins performance back in the mid '90s with all the original members on stage--before the drugs and drama tore them apart--and the audience rockin' like a shadowy wave between them and the camera which is somewhere in the back of the auditorium.

It opens with an unheard, apparently humorous exchange between Billy Corgan at the mic and Jimmy Chamberlain behind the drum set. Then Chamberlain sets the tempo with an opening riff on cymbals, bass drum, and snare and they're off. D'Arcy is perched on a tall stool, stage right, with her bass, and James Iha is to the left of the group with his guitar.

The clip I used to watch was sub-standard visually but had an acceptable sound track and, like I said, you had several shots of the audience rockin' out as the music and emotional intensity of the lyrics sort of rose and fell, carrying the house along on Corgan's journey through his early years in that legendary city (Chicago) on the lake.

I was reminded of it recently by a comment posted by my friend E who had just returned from a live concert, somewhere in the mid-West I think, and her mentioning that she'd actually gotten up and danced.

So in honor of her youthful spirit, and our mutual defiance of that relentless dancing-by of the years, I'll try to post a somewhat better clip of the piece--along with the as-performed lyrics--like I used to do in that other place where we first met.

Then, we can both maybe hold our breath and see how long they let it stay up in this new place where, like Justine, we still don't know the rules...





                      1979

 Shakedown 1979, cool kids never have the time

On a live wire right up off the street

You and I should meet

June bug skipping like a stone

With the headlights pointed at the dawn

We were sure we'd never see an end to it all

 
And I don't even care to shake these zipper blues

And we don't know just where our bones will rest

To dust I guess

Forgotten and absorbed into the earth below

 

Double cross the vacant and the bored

They're not sure just what we have in store

Morphine city slippin' dues, down to see that

 

We don't even care, as restless as we are

We feel the pull in the land of a thousand guilts

And poured cement, lamented and assured

To the lights and towns below

Faster than the speed of sound

Faster than we thought we'd go, beneath the sound of hope

 

Justine never knew the rules

Hung down with the freaks and ghouls

No apologies ever need be made

I know you better than you fake it, to see

 

That we don't even care to shake these zipper blues

And we don't know just where our bones will rest

To dust I guess

Forgotten and absorbed to the earth below

 

The street heats the urgency of now

As you see there's no one around

 

Songwriters: William Patrick Corgan

1979 lyrics © Kobalt Music Publishing Ltd.

 

[lyrics as performed in concert]



LPK
@Dreamwidth
8.7.2017


The Purist

May. 18th, 2013 10:42 am
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For most of my life, I've responded to music as a dedicated, if somewhat inconsistent, purist. Which maybe comes from a belief that, as a poet, only I can truly know what is at the heart of my poem. And I've extended that belief, to my appreciation of artists like Bob Dylan, through my disdain for musical covers. After all, who else could possibly know the soul of a poem born of the road, of the sights and sounds of Bleecker Street in the 'sixties, and embodied in the raspy realism of THAT voice?

Then Jimi Hendrix did his cover of "All Along the Watchtower." About which Dylan famously said that, ever since he'd heard it, he'd thought of it as Hendrix's song. And I decided that I could live with that. As well as certain other instances in which the covering artist extends the musical and emotional range of the original piece in ways that result in the creation of new art.

Even so, that reluctance to accept a newer permutation of an original work lives on, especially when it involves a personal favorite like Billy Corgan's "1979" - with D'Arcy Wretzky on bass, James Iha on guitar, and Jimmy Chamberlain on drums, of course. So when I noticed the clip of Bad Rabbits' cover of the song on YouTube this morning, I almost took a pass.

But for whatever reason, morbid musical curiosity, maybe (sorry, really should have resisted that), I didn't. And, once again, I'm glad I listened. Not that Billy Corgan is the sort to willingly share his ownership of, well, anything. But maybe this time it's between just ourselves and some unlikely, long-eared muse...




One final note. The cover clip, and the band which made it, may also affirm for us the potential of music for the positive expression and sharing of our diverse cultural identities. To quote Wikipedia, "[Bad Rabbits] consists of Fredua Boakye (Vocals), Sheel Davé (Drums), Salim Akram (Guitar), Graham Masser (Bass), and Santiago Araujo (Guitar). Sheel, Santiago and Fredua are first generation descendants of Indian, Argentinean, and Ghanaian lineage." The significance of which can hardly be overstated in the aftermath of the recent tragedy in Boston. Especially since the band was founded, and is currently based, in that city...

LPK
LiveJournal
5.18.2013 

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